Our pieces speak directly to those who eschew items of mass-production in favor of those imbued with history and meaning. Style French owner Jean Camille Bianic moved from his cold and icy water front French town, Le Havre, to chase the California dream and landed in warm and sunny Los Angeles back in the 80's. Formally trained at "Le Beaux Arts" with a master in communications he received his doctorate in the "school of life" after spending 10 years traveling the globe before settling in LA.
He is especially drawn to the timeless Art Deco style, terrestrial globes and French Industrial lighting. His keen eye for substance and soul leads him to the most unique items and restores and even re-designs them with his own unique touches while maintaining the integrity of each piece. Though copies and reproductions have become commonplace these days, the fact is, when you are in the presence of one of his items, your intuition tells you they are the "real deal".
His style is truly timeless and speaks to the "collected look" that has become popular in the design world proving that people are craving to be in the presence, not of mass produced items, regardless of their design, but for pieces with history and meaning.
He is especially drawn to the timeless Art Deco style, terrestrial globes and French Industrial lighting. His keen eye for substance and soul leads him to the most unique items and restores and even re-designs them with his own unique touches while maintaining the integrity of each piece. Though copies and reproductions have become commonplace these days, the fact is, when you are in the presence of one of his items, your intuition tells you they are the "real deal".
His style is truly timeless and speaks to the "collected look" that has become popular in the design world proving that people are craving to be in the presence, not of mass produced items, regardless of their design, but for pieces with history and meaning.
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Those desk lamps and task lamps were produced between the early part of 1920's to the late 1960's in France, the design and material are in stark contrast with the mass produced copy from China, here you have design and durability, usability and sturdiness being a requisite with the added democratic concept of creating style, the main idea of the Art Deco movement and the Bauhaus.
Stripping the old paint expose the patina of the steel and different metal, those metal are usually alloy steel superior in quality to the recycled metal used in mass produced duplicate and recent lamp.
Stripping the old paint expose the patina of the steel and different metal, those metal are usually alloy steel superior in quality to the recycled metal used in mass produced duplicate and recent lamp.
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